Staff employed at University of Copenhagen – University of Copenhagen

Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Standard

Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. / Bondebjerg, Ib.

Danish Television Drama: Global Lessons from a Small Nation. ed. / Anne Marit Waade; Pia Majbritt Jensen. Palgrave Macmillan, 2019.

Research output: Chapter in Book/Report/Conference proceedingBook chapterResearchpeer-review

Harvard

Bondebjerg, I 2019, Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. in AM Waade & PM Jensen (eds), Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan.

APA

Bondebjerg, I. (Accepted/In press). Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. In A. M. Waade, & P. M. Jensen (Eds.), Danish Television Drama: Global Lessons from a Small Nation Palgrave Macmillan.

Vancouver

Bondebjerg I. Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. In Waade AM, Jensen PM, editors, Danish Television Drama: Global Lessons from a Small Nation. Palgrave Macmillan. 2019

Author

Bondebjerg, Ib. / Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge. Danish Television Drama: Global Lessons from a Small Nation. editor / Anne Marit Waade ; Pia Majbritt Jensen. Palgrave Macmillan, 2019.

Bibtex

@inbook{9d0104b6ada34d389f9b407534f7d216,
title = "Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge",
abstract = "The Danish-Swedish crime series The Bridge (2011-) is not just a European co-production involving several national funding sources. It has also created quite an active response among transnational audiences, critics, journalists and creative industry people – further expanding and consolidating the Nordic noir phenomenon. This article deals with reception of the series in three countries (Denmark, UK and Sweden), through analysis of the demographic profile of audiences and the discourses of reception of the series in selected newspapers and on social media. Such transnational intercultural negotiations relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. The reception shows a fascination of Nordic Noir as a genre, but the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Themes related to the national vs. the transnational challenge firm notions of national identity and transnational otherness.",
keywords = "Faculty of Humanities, TV drama, Scandinavia, Crime",
author = "Ib Bondebjerg",
year = "2019",
month = "11",
day = "25",
language = "English",
editor = "Waade, {Anne Marit} and Jensen, {Pia Majbritt }",
booktitle = "Danish Television Drama",
publisher = "Palgrave Macmillan",
address = "United Kingdom",

}

RIS

TY - CHAP

T1 - Bridging Cultures. Transnational Cultural Encounters in the Reception of The Bridge

AU - Bondebjerg, Ib

PY - 2019/11/25

Y1 - 2019/11/25

N2 - The Danish-Swedish crime series The Bridge (2011-) is not just a European co-production involving several national funding sources. It has also created quite an active response among transnational audiences, critics, journalists and creative industry people – further expanding and consolidating the Nordic noir phenomenon. This article deals with reception of the series in three countries (Denmark, UK and Sweden), through analysis of the demographic profile of audiences and the discourses of reception of the series in selected newspapers and on social media. Such transnational intercultural negotiations relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. The reception shows a fascination of Nordic Noir as a genre, but the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Themes related to the national vs. the transnational challenge firm notions of national identity and transnational otherness.

AB - The Danish-Swedish crime series The Bridge (2011-) is not just a European co-production involving several national funding sources. It has also created quite an active response among transnational audiences, critics, journalists and creative industry people – further expanding and consolidating the Nordic noir phenomenon. This article deals with reception of the series in three countries (Denmark, UK and Sweden), through analysis of the demographic profile of audiences and the discourses of reception of the series in selected newspapers and on social media. Such transnational intercultural negotiations relate to universal dimensions of stories, but also initiate a cultural encounter between ‘us and them’. The reception shows a fascination of Nordic Noir as a genre, but the transnational cultural encounters with the series also involve social, political and cultural themes and exchange of different norms and life styles. Themes related to the national vs. the transnational challenge firm notions of national identity and transnational otherness.

KW - Faculty of Humanities

KW - TV drama

KW - Scandinavia

KW - Crime

M3 - Book chapter

BT - Danish Television Drama

A2 - Waade, Anne Marit

A2 - Jensen, Pia Majbritt

PB - Palgrave Macmillan

ER -

ID: 158659019