Female clothing, female make-up, female speech
The expression of femininity and femininity in Aristophanes' women's comedies
Lecture by Mark Janse, Emeritus Research Professor in Ancient & Asia Minor Greek, Ghent University.
Abstract
In my talk, I discuss the distinctive features of female clothing and female speech in Classical Athens based on their representation in the three women’s comedies by Aristophanes – a male playwright writing for male actors and a probably predominantly male audience. Not surprisingly, Athenian women not only dressed differently from Athenian men, but they also spoke differently. Whereas Lysistrata provides informal data about female clothing, female make-up and female speech from the perspective of Athenian women, the other comedies offer fascinating insights into these matters from two opposing perspectives. In Ecclesiazusae, the women swipe their husbands’ clothes and practice (more or less successfully)male speech to attend the men-only Assembly undetected. In Thesmophoriazusae, Euripides’ anonymous Kinsman borrows the effeminate tragic playwright Agathon’s clothes and practices (more or less successfully) female speech to infiltrate the women-only Thesmophoria festival undetected. Agathon wears the distinctively feminine krokotos used by the women in Lysistrata to seduce their husbands, but is also associated with Dionysus, who is called an “effeminate stranger” by Pentheus in Euripides’ Bacchae. I present a material and iconographical analysis of typically female garments and a (socio)linguistic analysis of the identifiable features of female speech, with a little excursion into Aristophanes’ obscene wordplay on particular textiles.
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